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	<title>bhavayami</title>
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	<description>to express myself ~ bilu's blog ~</description>
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		<title>bhavayami</title>
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		<title>My kind and favourite&#8230;personalities</title>
		<link>http://bilublog.wordpress.com/2009/09/13/my-kind-and-favourite-personalities/</link>
		<comments>http://bilublog.wordpress.com/2009/09/13/my-kind-and-favourite-personalities/#comments</comments>
		<pubDate>Mon, 14 Sep 2009 07:06:12 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://bilublog.wordpress.com/?p=120</guid>
		<description><![CDATA[Actor &#8211; Mohanlal, Mamooty, Hamal Haasan Actress &#8211; Katrina Signer (Male) &#8211; K J Yesudas, SPB, Balamuralikrishna, Rama Varma, T M Krishna, Unnikrishnan, UnniMenon, ARR Signer (Female) &#8211; Shreya Ghosal, Sujatha, Shweta Music Composer &#8211; ARR, Illayaraja, Jayachandran, Sarath, R D Burman Song Writer &#8211; Yusafali, Gulzaar, Girish, ONV. Most favorite Song: Harivarasanam&#8230;. Most favorite [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=120&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Actor &#8211; Mohanlal, Mamooty, Hamal Haasan</p>
<p>Actress &#8211; Katrina</p>
<p>Signer (Male) &#8211; K J Yesudas, SPB, Balamuralikrishna, Rama Varma, T M Krishna, Unnikrishnan, UnniMenon, ARR</p>
<p>Signer (Female) &#8211; Shreya Ghosal, Sujatha, Shweta</p>
<p>Music Composer &#8211; ARR, Illayaraja, Jayachandran, Sarath, R D Burman</p>
<p>Song Writer &#8211; Yusafali, Gulzaar, Girish, ONV.</p>
<p>Most favorite Song: Harivarasanam&#8230;.</p>
<p>Most favorite Film Song &#8211; Sree Ragamo&#8230;(Malayalam)</p>
<p>Most favorite Krithi&#8230;Karuna Cheiyvan enthu&#8230;.</p>
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		<title>My favorite Hotels in Trivandrum</title>
		<link>http://bilublog.wordpress.com/2009/09/13/my-favorite-hotels-in-trivandrum/</link>
		<comments>http://bilublog.wordpress.com/2009/09/13/my-favorite-hotels-in-trivandrum/#comments</comments>
		<pubDate>Mon, 14 Sep 2009 06:54:13 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[There are various eating &#38; living places in Trivandrum, Kerala, of which i prefer the following: &#62; For a large dinner &#8211; Muthoot Plaza; &#62; For a light coffee &#38; Cookies - The Coffee Shop &#8211; Classic Avenue; &#62; For good mutton &#8211; Hotel Buhari; &#62; For good vegetarian Meals &#8211; Hotel Arya Nivas; &#62; For [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=118&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>There are various eating &amp; living places in Trivandrum, Kerala, of which i prefer the following:</p>
<p>&gt; For a large dinner &#8211; Muthoot Plaza;</p>
<p>&gt; For a light coffee &amp; Cookies - The Coffee Shop &#8211; Classic Avenue;</p>
<p>&gt; For good mutton &#8211; Hotel Buhari;</p>
<p>&gt; For good vegetarian Meals &#8211; Hotel Arya Nivas;</p>
<p>&gt; For a chilled beer &#8211; Roof Top Dhaba of Hotel Residency Tower;</p>
<p>&gt; For a luxuries treat (by others, not by me&#8230;) &#8211; Taj Green Goove, Kovalam</p>
<p>&gt; For fish&#8230;.Of course my wife &#8216;s preperation</p>
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		<title>Raaga &#8211; a framework for composition and improvisation</title>
		<link>http://bilublog.wordpress.com/2009/09/13/raaga-a-framework-for-composition-and-improvisation/</link>
		<comments>http://bilublog.wordpress.com/2009/09/13/raaga-a-framework-for-composition-and-improvisation/#comments</comments>
		<pubDate>Mon, 14 Sep 2009 06:46:26 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
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		<guid isPermaLink="false">http://bilublog.wordpress.com/?p=115</guid>
		<description><![CDATA[Rāga (Sanskrit, lit. &#8220;colour&#8221; or &#8220;mood&#8221;) refers to melodic modes used in Indian classical music.[1] It is a series of five or more musical notes upon which a melody is made. In the Indian musical tradition, rāgas are associated with different times of the day, or with seasons. Indian classical music is always set in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=115&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><em><strong>Rāga</strong></em> (<a title="Sanskrit" href="http://bilublog.wordpress.com/wiki/Sanskrit">Sanskrit</a>, lit. &#8220;colour&#8221; or &#8220;mood&#8221;) refers to <a title="Musical mode" href="http://bilublog.wordpress.com/wiki/Musical_mode">melodic modes</a> used in <a title="Indian classical music" href="http://bilublog.wordpress.com/wiki/Indian_classical_music">Indian classical music</a>.<sup><a href="http://bilublog.wordpress.com/wp-admin/#cite_note-0">[1]</a></sup> It is a series of five or more musical notes upon which a <a title="Melody" href="http://bilublog.wordpress.com/wiki/Melody">melody</a> is made. In the Indian musical tradition, rāgas are associated with different times of the day, or with seasons. Indian classical music is always set in a rāga. Non-classical music such as popular <a title="Filmi" href="http://bilublog.wordpress.com/wiki/Filmi">Indian film songs</a> or <a title="Ghazal" href="http://bilublog.wordpress.com/wiki/Ghazal">ghazals</a> sometimes use rāgas in their compositions.</p>
<p>The term raga was defined by Joep Bor of the Rotterdam Conservatory of Music as &#8220;tonal framework for composition and improvisation.&#8221;<sup><a href="http://bilublog.wordpress.com/wp-admin/#cite_note-Bor-1">[2]</a></sup> <a title="Nazir Jairazbhoy" href="http://bilublog.wordpress.com/wiki/Nazir_Jairazbhoy">Nazir Jairazbhoy</a>, chairman of <a title="University of California, Los Angeles" href="http://bilublog.wordpress.com/wiki/University_of_California,_Los_Angeles">UCLA</a>&#8216;s department of <a title="Ethnomusicology" href="http://bilublog.wordpress.com/wiki/Ethnomusicology">ethnomusicology</a>, characterized ragas as separated by scale, line of ascent and descent, <a title="q:en:transilience" href="http://en.wikiquote.org/wiki/en:transilience">transilience</a>, emphasized notes and register, and intonation and <a title="Ornament (music)" href="http://bilublog.wordpress.com/wiki/Ornament_(music)">ornaments</a>.<sup><a href="http://bilublog.wordpress.com/wp-admin/#cite_note-2">[3]</a></sup></p>
<p><em><strong>Rāgini</strong></em> is an archaic term for the &#8216;feminine&#8217; counterpart to a rāga.</p>
<p>In <a title="Carnatic music" href="http://bilublog.wordpress.com/wiki/Carnatic_music">Carnatic music</a>, rāgas are classified as <em>Janaka</em> rāgas and <em><a title="Janya" href="http://bilublog.wordpress.com/wiki/Janya">Janya</a></em> rāgas. Janaka rāgas are the rāgas from which the <a title="Janya" href="http://bilublog.wordpress.com/wiki/Janya">Janya</a> rāgas are created. Janaka rāgas are grouped together using a scheme called <em>Katapayadi sutra</em> and are organised as <em>Melakarta</em> rāgas. A Melakarta rāga is one which has all seven notes in both the ārōhanam (ascending scale) and avarōhanam (descending scale). Some <em><a title="Melakarta" href="http://bilublog.wordpress.com/wiki/Melakarta">Melakarta</a></em> rāgas are <em><a title="Harikambhoji" href="http://bilublog.wordpress.com/wiki/Harikambhoji">Harikambhoji</a></em>, <em>Kalyani</em>, <em><a title="Kharaharapriya" href="http://bilublog.wordpress.com/wiki/Kharaharapriya">Kharaharapriya</a></em>, <em><a title="Mayamalavagowla" href="http://bilublog.wordpress.com/wiki/Mayamalavagowla">Mayamalavagowla</a></em>, <em><a title="Dheerasankarabharanam" href="http://bilublog.wordpress.com/wiki/Dheerasankarabharanam">Sankarabharanam</a></em> and <em><a title="Hanumatodi" href="http://bilublog.wordpress.com/wiki/Hanumatodi">Todi</a></em>.</p>
<p><a title="Janya" href="http://bilublog.wordpress.com/wiki/Janya">Janya</a> rāgas are derived from the Janaka rāgas using a combination of the swarams (usually a subset of swarams) from the parent rāga. Some janya rāgas are <em><a title="Abheri" href="http://bilublog.wordpress.com/wiki/Abheri">Abheri</a></em>, <em><a title="Abhogi" href="http://bilublog.wordpress.com/wiki/Abhogi">Abhogi</a></em>, <em>Bhairavi</em>, <em><a title="Hindolam" href="http://bilublog.wordpress.com/wiki/Hindolam">Hindolam</a></em> and <em><a title="Kambhoji" href="http://bilublog.wordpress.com/wiki/Kambhoji">Kambhoji</a></em>. See the full <a title="List of Janya Ragas" href="http://bilublog.wordpress.com/wiki/List_of_Janya_Ragas">List of Janya Ragas</a> for more.</p>
<p>Each rāga has a definite collection and orders of <em><a title="Swara" href="http://bilublog.wordpress.com/wiki/Swara">swaras</a></em> (the basic <a title="Note" href="http://bilublog.wordpress.com/wiki/Note">notes</a>). In <a title="Carnatic music" href="http://bilublog.wordpress.com/wiki/Carnatic_music">Carnatic music</a>, there are 7 basic notes of which there are 12 varieties. The seven basic swarams of Carnatic music are: Sa, Ri, Ga, Ma, Pa, Da, Ni.</p>
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		<title>Results proved&#8230;teachers&#8217; advise</title>
		<link>http://bilublog.wordpress.com/2009/09/13/results-proved-teachers-advise/</link>
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		<pubDate>Mon, 14 Sep 2009 06:42:00 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
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		<description><![CDATA[The results of  CS june 2009 was an eye openner for students. Students committed to studies passed the exams with flying colours. Others realised their failure, and now ready to chase again with full committment&#8230; Congrats &#38; All the Best<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=114&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The results of  CS june 2009 was an eye openner for students. Students committed to studies passed the exams with flying colours.</p>
<p>Others realised their failure, and now ready to chase again with full committment&#8230;</p>
<p>Congrats &amp; All the Best</p>
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		<title>Results awaiting of CS June 2009 exams</title>
		<link>http://bilublog.wordpress.com/2009/08/09/results-awaiting-of-cs-june-2009-exams/</link>
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		<pubDate>Sun, 09 Aug 2009 16:53:19 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
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		<description><![CDATA[Yes its time for awaiting my students&#8217; CS June 2009 exams. A tensed moment. This time i am not expecting a 100% result for my immediate last batch(20th). But i am praying to God that my earlier batch students (19th) such as Aneesh, Arathi, Asha, Vimal, Archana, Smitha, Sujith etc. may pass with flying colours. I [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=109&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Yes its time for awaiting my students&#8217; CS June 2009 exams. A tensed moment. This time i am not expecting a 100% result for my immediate last batch(20th). But i am praying to God that my earlier batch students (19th) such as Aneesh, Arathi, Asha, Vimal, Archana, Smitha, Sujith etc. may pass with flying colours. I am also expecting a good result for my CA Final Students (results on 13th Aug).</p>
<p>Let me pray to God that my dear students be a CS / CA as soon as possible, and lead the Profession !</p>
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		<title>Started learning Music Keyboard</title>
		<link>http://bilublog.wordpress.com/2009/08/09/started-learning-music-keyboard/</link>
		<comments>http://bilublog.wordpress.com/2009/08/09/started-learning-music-keyboard/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 16:47:38 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
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		<description><![CDATA[After a long break, i started concentrating on MUSIC. I bought a new Keyboard YAMAHA 213, and started learnin music, in free time. I was a best signer &#38; got prizes for Carnatic Music, vocal, in my college days. I devote few time for Keyboard learning. I am interested in Symphony music. I am trying [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=107&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>After a long break, i started concentrating on MUSIC. I bought a new Keyboard YAMAHA 213, and started learnin music, in free time.</p>
<p>I was a best signer &amp; got prizes for Carnatic Music, vocal, in my college days. I devote few time for Keyboard learning. I am interested in Symphony music. I am trying to create my own symphony theme music.</p>
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		<title>Have a little Knowledge about Carnatic Music</title>
		<link>http://bilublog.wordpress.com/2009/07/15/have-a-little-knowledge-about-carnatic-music/</link>
		<comments>http://bilublog.wordpress.com/2009/07/15/have-a-little-knowledge-about-carnatic-music/#comments</comments>
		<pubDate>Thu, 16 Jul 2009 11:33:28 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
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		<description><![CDATA[Carnatic music (Sanskrit: Karnāṭaka saṃgītaṃ) is a system of music commonly associated with the southern part of the Indian subcontinent, with its area roughly confined to four modern states of India: Andhra Pradesh, Karnataka, Kerala, and Tamil Nadu. It is one of two main sub-genres of Indian classical music that evolved from ancient Hindu traditions; [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=104&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><strong>Carnatic music</strong> (<a title="Sanskrit" href="http://bilublog.wordpress.com/wiki/Sanskrit">Sanskrit</a>: <span style="white-space:normal;text-decoration:none;" title="International Alphabet of Sanskrit Transliteration" lang="sa-Latn"><strong>Karnāṭaka saṃgītaṃ</strong></span>) is a system of music commonly associated with the southern part of the Indian subcontinent, with its area roughly confined to four modern states of <a title="India" href="http://bilublog.wordpress.com/wiki/India">India</a>: <a title="Andhra Pradesh" href="http://bilublog.wordpress.com/wiki/Andhra_Pradesh">Andhra Pradesh</a>, <a title="Karnataka" href="http://bilublog.wordpress.com/wiki/Karnataka">Karnataka</a>, <a title="Kerala" href="http://bilublog.wordpress.com/wiki/Kerala">Kerala</a>, and <a title="Tamil Nadu" href="http://bilublog.wordpress.com/wiki/Tamil_Nadu">Tamil Nadu</a>. It is one of two main sub-genres of <a title="Indian classical music" href="http://bilublog.wordpress.com/wiki/Indian_classical_music">Indian classical music</a> that evolved from ancient <a title="Hindu" href="http://bilublog.wordpress.com/wiki/Hindu">Hindu</a> traditions; the other sub-genre being Hindustani music, which emerged as a distinct form due to Persian and Islamic influences in North India. In contrast to Hindustani music, the main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in <em>gāyaki</em> (singing) style.</p>
<p>Although there are stylistic differences, the basic elements of <span style="white-space:normal;text-decoration:none;" title="International Alphabet of Sanskrit Transliteration" lang="sa-Latn"><em><a title="Śruti" href="http://bilublog.wordpress.com/wiki/%C5%9Aruti">śruti</a></em></span> (the relative musical pitch), <span style="white-space:normal;text-decoration:none;" title="International Alphabet of Sanskrit Transliteration" lang="sa-Latn"><em><a title="Swara" href="http://bilublog.wordpress.com/wiki/Swara">swara</a></em></span> (the musical sound of a single note), <span style="white-space:normal;text-decoration:none;" title="International Alphabet of Sanskrit Transliteration" lang="sa-Latn"><em>rāga</em></span> (the mode or melodic formulæ), and <span style="white-space:normal;text-decoration:none;" title="International Alphabet of Sanskrit Transliteration" lang="sa-Latn"><em><a title="Tala (music)" href="http://bilublog.wordpress.com/wiki/Tala_(music)">tala</a></em></span> (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung through compositions, especially the <a title="Kriti" href="http://bilublog.wordpress.com/wiki/Kriti">kriti</a> (or kirtanam); a form developed between the 16th and 20th centuries by prominent composers, such as <a title="Purandara Dasa" href="http://bilublog.wordpress.com/wiki/Purandara_Dasa">Purandara Dasa</a> and the Trinity of Carnatic music.</p>
<p>Carnatic music is usually performed by a small ensemble of musicians, consisting of a principal performer (usually a vocalist), a melodic accompaniment (usually a violin), a rhythm accompaniment (usually a <a title="Mridangam" href="http://bilublog.wordpress.com/wiki/Mridangam">mridangam</a>), and a <a title="Tambura" href="http://bilublog.wordpress.com/wiki/Tambura">tambura</a> which acts as a <a title="Drone" href="http://bilublog.wordpress.com/wiki/Drone">drone</a> throughout the performance. Other typical instruments used in performances may include the <a title="Ghatam" href="http://bilublog.wordpress.com/wiki/Ghatam">ghatam</a>, <a title="Kanjira" href="http://bilublog.wordpress.com/wiki/Kanjira">kanjira</a>, <a title="Morsing" href="http://bilublog.wordpress.com/wiki/Morsing">morsing</a>, <a title="Veena" href="http://bilublog.wordpress.com/wiki/Veena">veena</a> &amp; <a title="Flute" href="http://bilublog.wordpress.com/wiki/Flute">flute</a>. The most outstanding performances, and the greatest concentration of Carnatic musicians, are found in the city of <a title="Chennai" href="http://bilublog.wordpress.com/wiki/Chennai">Chennai</a>.<sup> </sup>In particular, the six week-long <a title="Madras Music Season" href="http://bilublog.wordpress.com/wiki/Madras_Music_Season">Music Season</a> held in Chennai every December, has been described as the world&#8217;s largest cultural event.</p>
<p>Source: WIKIPEDIA</p>
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		<title>My Students&#8217; count reached 300</title>
		<link>http://bilublog.wordpress.com/2009/07/15/my-students-count-reached-300/</link>
		<comments>http://bilublog.wordpress.com/2009/07/15/my-students-count-reached-300/#comments</comments>
		<pubDate>Thu, 16 Jul 2009 11:25:02 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
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		<description><![CDATA[The number of students (regular class room batch) reached 300 this July, 2009. This number is excluding the no. of students i teached on my out-bound classes. On an average 30 students per year &#38; 15 students per batch. A very restrictive and conservative approach.  All the students are pursuing Professional Courses such as either [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=102&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The number of students (regular class room batch) reached 300 this July, 2009. This number is excluding the no. of students i teached on my out-bound classes.</p>
<p>On an average 30 students per year &amp; 15 students per batch. A very restrictive and conservative approach.  All the students are pursuing Professional Courses such as either CS or CA or CWA. Of the 300, 217 students were undergoing coaching under me for 3-4 subjects for 3-4 months period.</p>
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		<title>Web Release: CIER Re-constitution Soon !</title>
		<link>http://bilublog.wordpress.com/2009/05/24/web-release-cier-re-constitution-soon/</link>
		<comments>http://bilublog.wordpress.com/2009/05/24/web-release-cier-re-constitution-soon/#comments</comments>
		<pubDate>Sun, 24 May 2009 14:11:05 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
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		<description><![CDATA[CIER the brand for quality corporate laws education &#38; students services will soon re-constitute its Councils. As per a web release the management council will have no change. But there will be changes in advisory council memberships. Also sources say that a new Vice-President, Head of Alternative Business and IT Advisor will be inducted to [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=97&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>CIER the brand for quality corporate laws education &amp; students services will soon re-constitute its Councils. As per a web release the management council will have no change. But there will be changes in advisory council memberships.</p>
<p>Also sources say that a new Vice-President, Head of Alternative Business and IT Advisor will be inducted to the CIER Team. This initiatives is under the back drop of CIER&#8217;s new business venture CIER BIZ. As per CS. Balakrishnan Bilu, the President of CIER, we will be concentrating more on virtual classes, e-learning &amp; we are fully fit to enter as a business model, by our new venture CIER BIZ.</p>
<p>Recently CIER constituted a Students Council, and a Guideliene for the same has been notified. When asked about the role of coching classes in future in CIER&#8217;s portfolio, CS. Balarishnan Bilu, who is also the lead faculty, said that &#8220;CIER maintains a 80% market share of corporate laws coaching market in Trivandrum, and we do not intends to dilute it, rather we will be trying to tap new students Country wide by our e-learning project.&#8217;</p>
<p>Speaking about brand building initiatives Mrs. P. Rajani, member of  management council told that a stronger brand building steps are under way, and process for getting trade mark registration for CIER logo has already been commenced.</p>
<p>Source: CIER Web Release dated 15th May, 2009</p>
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		<title>CIER BiZ ready to market !</title>
		<link>http://bilublog.wordpress.com/2009/05/24/cier-biz-ready-to-market/</link>
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		<pubDate>Sun, 24 May 2009 13:47:52 +0000</pubDate>
		<dc:creator>bilublog</dc:creator>
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		<description><![CDATA[CIER BIZ, a venture of Corporate Intelligence Education &#38; Research (CIER) is ready to market. CIER BIZ is the first business venture, the objective of which is to be a PROFESSIONAL&#8217; CREATIVE &#38; RESEARCH PARTNER. Strategic alliance for the functioning of CIER BIZ is under way, and in the mean time projects are already started. The main activities [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=bilublog.wordpress.com&amp;blog=7456815&amp;post=95&amp;subd=bilublog&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>CIER BIZ, a venture of Corporate Intelligence Education &amp; Research (CIER) is ready to market. CIER BIZ is the first business venture, the objective of which is to be a PROFESSIONAL&#8217; CREATIVE &amp; RESEARCH PARTNER.</p>
<p>Strategic alliance for the functioning of CIER BIZ is under way, and in the mean time projects are already started. The main activities /services offered include :</p>
<p>Website conceptualising<br />
Website designing<br />
Website scripts<br />
Web marketing<br />
Corporate SMS Services<br />
Confidential Research<br />
Corporate Email IDs<br />
Designing Visitig Crads, Logos etc.<br />
Suggesting colour schemes<br />
E-Research of market share</p>
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