Actor – Mohanlal, Mamooty, Hamal Haasan
Actress – Katrina
Signer (Male) – K J Yesudas, SPB, Balamuralikrishna, Rama Varma, T M Krishna, Unnikrishnan, UnniMenon, ARR
Signer (Female) – Shreya Ghosal, Sujatha, Shweta
Music Composer – ARR, Illayaraja, Jayachandran, Sarath, R D Burman
Song Writer – Yusafali, Gulzaar, Girish, ONV.
Most favorite Song: Harivarasanam….
Most favorite Film Song – Sree Ragamo…(Malayalam)
Most favorite Krithi…Karuna Cheiyvan enthu….
There are various eating & living places in Trivandrum, Kerala, of which i prefer the following:
> For a large dinner – Muthoot Plaza;
> For a light coffee & Cookies - The Coffee Shop – Classic Avenue;
> For good mutton – Hotel Buhari;
> For good vegetarian Meals – Hotel Arya Nivas;
> For a chilled beer – Roof Top Dhaba of Hotel Residency Tower;
> For a luxuries treat (by others, not by me…) – Taj Green Goove, Kovalam
> For fish….Of course my wife ’s preperation
Rāga (Sanskrit, lit. “colour” or “mood”) refers to melodic modes used in Indian classical music.[1] It is a series of five or more musical notes upon which a melody is made. In the Indian musical tradition, rāgas are associated with different times of the day, or with seasons. Indian classical music is always set in a rāga. Non-classical music such as popular Indian film songs or ghazals sometimes use rāgas in their compositions.
The term raga was defined by Joep Bor of the Rotterdam Conservatory of Music as “tonal framework for composition and improvisation.”[2] Nazir Jairazbhoy, chairman of UCLA’s department of ethnomusicology, characterized ragas as separated by scale, line of ascent and descent, transilience, emphasized notes and register, and intonation and ornaments.[3]
Rāgini is an archaic term for the ‘feminine’ counterpart to a rāga.
In Carnatic music, rāgas are classified as Janaka rāgas and Janya rāgas. Janaka rāgas are the rāgas from which the Janya rāgas are created. Janaka rāgas are grouped together using a scheme called Katapayadi sutra and are organised as Melakarta rāgas. A Melakarta rāga is one which has all seven notes in both the ārōhanam (ascending scale) and avarōhanam (descending scale). Some Melakarta rāgas are Harikambhoji, Kalyani, Kharaharapriya, Mayamalavagowla, Sankarabharanam and Todi.
Janya rāgas are derived from the Janaka rāgas using a combination of the swarams (usually a subset of swarams) from the parent rāga. Some janya rāgas are Abheri, Abhogi, Bhairavi, Hindolam and Kambhoji. See the full List of Janya Ragas for more.
Each rāga has a definite collection and orders of swaras (the basic notes). In Carnatic music, there are 7 basic notes of which there are 12 varieties. The seven basic swarams of Carnatic music are: Sa, Ri, Ga, Ma, Pa, Da, Ni.
The results of CS june 2009 was an eye openner for students. Students committed to studies passed the exams with flying colours.
Others realised their failure, and now ready to chase again with full committment…
Congrats & All the Best
Yes its time for awaiting my students’ CS June 2009 exams. A tensed moment. This time i am not expecting a 100% result for my immediate last batch(20th). But i am praying to God that my earlier batch students (19th) such as Aneesh, Arathi, Asha, Vimal, Archana, Smitha, Sujith etc. may pass with flying colours. I am also expecting a good result for my CA Final Students (results on 13th Aug).
Let me pray to God that my dear students be a CS / CA as soon as possible, and lead the Profession !
After a long break, i started concentrating on MUSIC. I bought a new Keyboard YAMAHA 213, and started learnin music, in free time.
I was a best signer & got prizes for Carnatic Music, vocal, in my college days. I devote few time for Keyboard learning. I am interested in Symphony music. I am trying to create my own symphony theme music.
Carnatic music (Sanskrit: Karnāṭaka saṃgītaṃ) is a system of music commonly associated with the southern part of the Indian subcontinent, with its area roughly confined to four modern states of India: Andhra Pradesh, Karnataka, Kerala, and Tamil Nadu. It is one of two main sub-genres of Indian classical music that evolved from ancient Hindu traditions; the other sub-genre being Hindustani music, which emerged as a distinct form due to Persian and Islamic influences in North India. In contrast to Hindustani music, the main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style.
Although there are stylistic differences, the basic elements of śruti (the relative musical pitch), swara (the musical sound of a single note), rāga (the mode or melodic formulæ), and tala (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung through compositions, especially the kriti (or kirtanam); a form developed between the 16th and 20th centuries by prominent composers, such as Purandara Dasa and the Trinity of Carnatic music.
Carnatic music is usually performed by a small ensemble of musicians, consisting of a principal performer (usually a vocalist), a melodic accompaniment (usually a violin), a rhythm accompaniment (usually a mridangam), and a tambura which acts as a drone throughout the performance. Other typical instruments used in performances may include the ghatam, kanjira, morsing, veena & flute. The most outstanding performances, and the greatest concentration of Carnatic musicians, are found in the city of Chennai. In particular, the six week-long Music Season held in Chennai every December, has been described as the world’s largest cultural event.
Source: WIKIPEDIA
The number of students (regular class room batch) reached 300 this July, 2009. This number is excluding the no. of students i teached on my out-bound classes.
On an average 30 students per year & 15 students per batch. A very restrictive and conservative approach. All the students are pursuing Professional Courses such as either CS or CA or CWA. Of the 300, 217 students were undergoing coaching under me for 3-4 subjects for 3-4 months period.
CIER the brand for quality corporate laws education & students services will soon re-constitute its Councils. As per a web release the management council will have no change. But there will be changes in advisory council memberships.
Also sources say that a new Vice-President, Head of Alternative Business and IT Advisor will be inducted to the CIER Team. This initiatives is under the back drop of CIER’s new business venture CIER BIZ. As per CS. Balakrishnan Bilu, the President of CIER, we will be concentrating more on virtual classes, e-learning & we are fully fit to enter as a business model, by our new venture CIER BIZ.
Recently CIER constituted a Students Council, and a Guideliene for the same has been notified. When asked about the role of coching classes in future in CIER’s portfolio, CS. Balarishnan Bilu, who is also the lead faculty, said that “CIER maintains a 80% market share of corporate laws coaching market in Trivandrum, and we do not intends to dilute it, rather we will be trying to tap new students Country wide by our e-learning project.’
Speaking about brand building initiatives Mrs. P. Rajani, member of management council told that a stronger brand building steps are under way, and process for getting trade mark registration for CIER logo has already been commenced.
Source: CIER Web Release dated 15th May, 2009
CIER BIZ, a venture of Corporate Intelligence Education & Research (CIER) is ready to market. CIER BIZ is the first business venture, the objective of which is to be a PROFESSIONAL’ CREATIVE & RESEARCH PARTNER.
Strategic alliance for the functioning of CIER BIZ is under way, and in the mean time projects are already started. The main activities /services offered include :
Website conceptualising
Website designing
Website scripts
Web marketing
Corporate SMS Services
Confidential Research
Corporate Email IDs
Designing Visitig Crads, Logos etc.
Suggesting colour schemes
E-Research of market share
